Making of Omashay’s “Wish You Looked at Me” music video

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Last month I edited the Wish You Looked at Me video clip for the Omashay project. This is a side-project of Cool Cavemen’s saxophonist. The video is finally available on YouTube:

All the video material was shot by Tomasito itself, with his Canon PowerShot SX200IS point-and-shoot camera. This camera produce 30fps 720p clips.

He came to me with all these .mov files, and the idea of combining them into a classical split-screen layout. He had no idea how to do this, so I accepted to help him with my technical knowledge.

I fired up my Kdenlive (v0.8 on Kubuntu 11.04) and in a matter of hours, the project was done. With source videos of 720p, I naturally chose 1080p as the final resolution. I kept the 30fps framerate to not alter the original time resolution.

The most boring part of the edit was the first step, in which we synced all clips together with the reference audio track. Here is how the timeline looked, with one track for each instrument:

We had to work around some annoying Kdenlive bugs, as it had some problems handling so much tracks in parallel. Fortunately these bugs were fixed in a matter of days with a new build of MLT.

Next step was to mark out the structure of the song. Tomasito placed blue markers along the timeline, and we cut all tracks following that structure. It resulted in a matrix of clips:

Then for each segment, we choose the 4 clips that we wanted to show and deleted the others:

Then I created 4 special tracks to which I applied a global positioning and scaling effect, to have each track fill one corner of the screen. We moved there all the clips we selected in the previous step, and cleaned up the timeline a bit:

At this stage the project was mostly done. It was just a matter of adding intro, outro and fade in/out to obtain our final video:

Tomasito basically did the whole editing of the project. And I have some evidences:

I just showed him how to manipulate Kdenlive timelines, and cut/move/paste clips, and he was absolutely autonomous in a matter of minutes. I just did the transitions, the title cards integration and the screen splitting. I’m not sure I deserve the title of editor for this project, but he still insisted to add me in the credits… :)

Of course split-screen is far from new and was done a million times before. But it’s a simple yet effective concept that require absolutely no investment (apart time). This also gave me the opportunity to play again with Kdenlive and assess its user-friendliness and edit capabilities on a real project. But at the end, it was just a great excuse to work with a friend on a little video project ! :)

Trapped in Freedom: live at Garage Café

Some weeks ago I was at a local bar to see Trapped in Freedom. This band is composed of friends, and is also a side project involving Jimy Wong from Cool Cavemen, again as a drummer. This was a perfect excuse to test my brand new Tamron SP AF 17-50mm f/2.8 XR Di-II VC LD IF lens.

Some days after shooting I sent my raw footages to the band, which decided to publish a preview of their song “Chicken Fighter” on YouTube. Here is the video:

They also released “Incoming” some days ago:

All of these were shots in 1080p at 23.976 fps with a shutter speed of 1/50. Lens was set to manual focus as usual, and stayed wide open at f/2.8, with optical stabilization (“VC” in Tamron’s jargon) on.

I think the white balance was set to tungsten. I don’t remember what was the ISO setting. Maybe set to automatic. I really don’t remember. Should have drink less. Either that or changing my video workflow. After all, keeping these .THM files is a good idea, as these contain the video metadatas that can’t be put in the .MOV files produced by Canon.

Finally, if the music is good, the sound is awful as it was captured without any special care, with the embedded camera microphone. Now I really have to invest money and time to upgrade my sound recording gear and skills. Canon EOS 7D‘s Automatic Gain Control (AGC) really starts to be limiting (pun intended)…

Canon EOS 7D Movie Samples

Here is a collection of Eiffel Tower’s videos I took today with my Canon EOS 7D. These quick and dirty clips were shots this late afternoon.

Please don’t look at the image quality. That’s not the point. We’re interested in bitstream, video/audio codecs and media container here.

These files are as they came out of the camera and can serve as references. The idea is to provide raw data access to developpers and hackers to let them add or enhance 7D’s support to their software.

Here are seven 10 seconds video clips, corresponding to the 7 video modes offered by the 7D (that’s a lot of 7′s):

ResolutionFramerateShutter Speed
1920×1080 (1080p)23.976 fps (24 fps)1/50
1920×1080 (1080p)25 fps1/50
1920×1080 (1080p)29.97 fps (30 fps)1/60
1280×720 (720p)50 fps1/100
1280×720 (720p)59.94 fps (60 fps)1/125
640×480 (480p)50 fps1/100
640×480 (480p)59.94 fps (60 fps)1/125

Again, these files were extracted right out of the camera, without any modification.

Even if these details have no importance, here are some parameters under which these clips were shots (may be useful for debugging):

  • Lens: Canon EF-S 15-85 mm f/3,5-5,6 IS USM
  • IS: On
  • ISO: 100
  • Exposition compensation: 0
  • White balance: Daylight
  • Picture style: Standard
  • Auto Lighting Optimizer: Disabled
  • Highlight Tone Priority: Disabled
  • Peripheral illumintion correction: Off
  • Audio format: PCM, 48kHz, 16 bits
  • Camera firmware: 1.2.1